Prologue A Narrative Fiction - 831 Words

I woke up to another day, waiting to be filled with learning and adventure. As I got out of my sleeping pod, a red, cylindrical tube dropped from the place directly above me. I knew better than to let it hit the ground. My tube I had been given last night had cracked open, and still hadn’t been noticed by our as the nutrients that came from these meals were to the wellbeing of all Unders. We lived in the Fifth sector, in a community called Corenas. It was the smallest of the sectors, but it seemed to be under the closest watch by the. My mother transported us to our Educatory facility every day, which we called the Mern, in the device that my father had made especially for that purpose. It looked like he had made our living quarters float, since it blended in with the light teal color of the sky. It could only fit six Unders, while some could fit up to twenty. It was an abnormal thing to take your own Unders to the Mern, and even stranger to take someone else’s along with them, like my mother did. Normally, large hoverbuses would take all of the children to the Mern at once, but my mother had begun taking us all after the androids that ran the hoverbuses started to malfunction. No one knew why the decided to take those kids through the one area of the forest that was prohibited. Or at least, no one was telling us. â€Å"Be safe,† My mother cooed as she kissed both of our foreheads. She was gorgeous. She was everything that I aspired to be: beautiful, kind, andShow MoreRelatedJohn Wilson967 Words   |  4 PagesHyde noted the irony of Ireland s copying the nation she most hated (Richard Kain). An occurrence, result, or circumstance notable for such incongruity. Dramatic irony. Socratic irony Setting: The time, place, and circumstances in which a narrative, drama, or film takes place. Stanza: One of the divisions of a poem composed of two or more lines usually characterized by a common pattern of meter, rhyme, and number of lines. Prose: Ordinary speech or writing, without metrical structure, toRead MoreLiterature Review of Cambridge by Caryl Phillips1667 Words   |  7 PagesFor my Internal Assessment I have chosen to do a review of Caryl Phillips’ post-colonial work of fiction, â€Å"Cambridge†. This novel published in the year 1991, explores the interlocking of a variety of forms of marginalization, displacement and dispossession that emerge from the experience of cross-cultural encounters. It persistently raises questions of home, identity and belonging. Philips’ novel is set in an unnamed small Caribbean island during a transitional period, sometime between the abolitionRead MoreCommentary On The Rhetoric Of Fiction Essay2176 Words   |  9 PagesEssay Topic 1: The Rhetoric of Fiction Yilin Zhang A Special Prologue: The Literary Art in Three Words Collection The prosperity of the publishing in late Ming China not only increased the number of imprint copies as well as created a more competitive book market, but also attracted a wider, even more broad readership. The publishers and the literati became more aware of the needs of the diverse readers, and tried to attract the late Ming readership to their fictions and stories. As one of the mostRead MoreBurnt Shadows : The Similarities And Trauma Caused Using The Narrative Form4047 Words   |  17 PagesShanaz Rahim USSY 288K – Hiroshima Mark Pedretti, 30 April 2012 Reality and Fiction: The Similarities and Trauma Caused Using the Narrative Form in Burnt Shadows by Kamila Shamsie Narrative Forms, Reality, and Trauma The narrative forms of the â€Å"hermeneutic and proairetic codes† proposed by Roland Barthes Peter Brooks highlights the two ways a fictional novel creates suspense (qtd. from Brooks 18). The hermeneutic code is caused by unanswered questions in the plot, while the proairetic is the anticipationRead MoreThe Dark Crystal Film Analysis1233 Words   |  5 PagesSesame Street, which involves more comedic skits to relay their message to its viewers, The Dark Crystal was a different kind of muppet movie because it used fantasy, fiction and action to tell its story. With this change in Jim Henson’s usual way of story telling, the fantasy aspect of the movie becomes associated with the narrative patterns and functions of Propp. As the story line progresses throughout the film, some of the 31 functions of characters discussed by Propp is revealed. Also, withRead MoreA Free Spirit of Rebellion, Mason and Dixon Show Flashbacks in Vineland1594 Words   |  7 Pageshistory, romance and allegory; and from this point of view character is the problematising of the relations between its consistent parts that characterize much contemporary British fiction including Fowles’s. The formal agony and hesitation co-exist; with immense formal energy and inventiveness in problematic fictions such as Doris Lessing’s The Golden Notebook, Augus Wilson’s No Laughing Matters and differently in Iris Murdock’s The Black Prince as well as Fowles’s The French Lieutenant’s WomanRead MoreEssay about Henry James The Turn of the Screw1588 Words   |  7 Pagesthe prologue declares, â€Å"Let me say here distinctly, to have done with it, that this narrative, from an exact transcript of my own made much later, is what I shall presently give† (James 26). From these two statements, We see at least two people involved with the manuscript itself: the governess and the narrator of the prologue. We also see that a significant, though undisclosed and undetermined, period of time has passed since the original occurance of the events portrayed in the narrative. ItRead MoreEssay Pulp Fiction1739 Words   |  7 Pages nbsp;nbsp;nbsp;nbsp;nbsp;Pulp Fiction, through the course of incorporating three seemingly unrelated narratives pulled together an interwoven story that unfolded like a well-oiled machine. With each of the narratives relying on pieces of the lurid subject matter (pulp) previous to it, which aided in expressing the overall theme. The film manages to pull this off while still giving each of its narrative segments equal weight; as a result they work like interlocking gears, each one necessaryRead MoreShort Story : My Genre 1356 Words   |  6 Pageswill look straight in the middle where you re going to aim and nowhere else. This is how you write a short story. Some of the characteristics of a short story are that, they are less complex than a novel, single setting, and fewer characters. The narrative modes will never change, a person can use first person, second person and if needed third-person point of view. Furthermore, if the author wants to change a few things, he can do it becau se a short story doesn t have any specific set of rules. TheRead MoreNight by Elie Wiesel1271 Words   |  6 Pagesfable or allegory eulogy or obituary prologue o epilogue a narrative (story) a poem a novel a journal or diary entry a piece of descriptive writing IMAGINATIVE WRITING CAN INCLUDE a narrative and description reasoning, argumentative and persuasion reflection and dialogue†¦ This will depend on the particular form you decide to use HOW TO WRITE AN IMAGINATIVE PIECE decide what ideas in the ‘prompt’ you want to explore plan the plot or narrative have an engaging opening Be descriptive